By Steph Rodriguez

As an artist, she paints as a way to understand humanity and the complexities that haunt us all as individuals across cultures. Through shades of dark charcoals and strokes of soft whites, the shapes of contorted faces and human skulls slowly pop from more than 100 canvases dedicated to the visual concept behind Lin Fei Fei’s last exhibit, “The Distance Between Black and White.”

There’s beauty in the darkness for Fei, and if you look closely enough, you may find yourself swept up in one of her paintings, tapping into the fluidity between light and dark and what binds us all as humans: our emotions.

“At first, I was just curious about what we’re made of as humans, as far as personalities and humanities. I just want to find out what the truth is,” Fei says. “Skulls for so many different cultures represent death. But for scientists, skulls are studied because it’s our foundation. It’s a place where we can put our thoughts and brain. This is who we are, what we’re built of. I’m not necessarily using the subject as a representation of death or darkness. I hope people recognize it as a foundation of who we are.”

Born in China, Fei recalls touching her nose and studying the shapes of eyes as a little girl before drawing them on paper. At just 7 years old, she knew she wanted to be a professional artist.

Fei graduated from the prestigious Luxun Academy of Fine Arts in Northeast China. As a student, she traveled the world and learned centuries-old tempera painting techniques in Italy using stone powder, egg whites and tree oil. Through her studies, she developed a respect for art history, mixing her rugged elegance with classical approaches.

“For me, oil painting is a very graceful, elegant material,” Fei says. “Acrylics are cool, and other materials are cool, too, but oil can maintain history.”

With a wanderer’s heart, Fei turned down an opportunity to teach at Luxun Academy and moved to the United States in 2015. Besides her partner at the time, Fei says she didn’t know anyone so she began selling art on the street before linking up with Blue Line Arts Gallery in Roseville and eventually branching out into Sacramento’s tight-knit art community.

“I usually try to work with galleries and museums, but when I moved to America, nobody knew who I was,” she says. “For me, it’s all a fun adventure. I feel very accomplished by starting from nothing and becoming something. I just always want to keep humble and keep doing what I’m doing because life teaches me how to maintain who I am. I always remember where I came from.”

In 2018, Fei was tapped to participate in the Wide Open Walls mural festival, an annual event in which local and traveling artists from all over the world paint fresh murals on businesses throughout Sacramento. Fei was assigned Holy Diver, an independent music venue on 21st Street in midtown.

In China, Fei says, graffiti and street art don’t sit well with the government or police. She was thrilled at the opportunity to cover an entire building in her unique aesthetic. It was her first public art piece in the United States.

“I hadn’t done a mural before in public, so I didn’t know what to expect. It turns out, people really liked it,” Fei says. “I enjoy interacting with people on the street because there are no boundaries. When you’re out in public, your work is given to everybody. I love how people stop by and talk to you, from different ages to different cultural backgrounds. Everything’s a surprise.” …

Read Beauty in the Darkness in its entirety here. This article published in Sacramento Magazine’s June Issue.